Sold
Medium: Tōtara or kauri, pine, steel
Dimensions: 900x200x30mm each
Date: 2021
Notes:
The initial idea for 'Disrupt', Bennett's latest installation, came from Allen Curnow's verse tragedy, 'The Axe'. An analogy for the colonisation of New Zealand, Curnow located his narrative of destruction on the island of Mangaia in the Cook Islands. The axe is a metaphor for the disruptions brought about by the metal technology and religious ideas of Europeans who arrived in the Pacific.
The consequences of treating nature as something to be colonised is highlighted. The axe heads are made of native kauri and tōtara, and the handles of imported pine. The perforations on the axes depict both Bennett's warning about the impact of human behaviour on the environment, and the clefts in Mangaian adze handles: horizontal, vertical and square cut-outs.
Further work by this artist
-
Study for Sculpture Rites of Rights – Due Diligence
2004 -
Gauge II
2009 -
Plug – Grappling with Things Feared
2022 -
Around Every Circle
2020 -
Study for Pacific Vertical no 8
1996 -
Deception
2019 -
After Sea/Sky/Stone
1994 -
Study for Sculpture – Gauge
2009 -
Inner Space 5
2007 -
Eclipse
2019 -
Connect
2021 -
Connect
2022 -
Mimic
-
Latitude 41º 12.2’S Longitude 173º 19.7’E
1989 -
Echo
2012 -
Pull Forward
2019 -
Hidden Depths
2009 -
Earth Water, Six Stops
1988 -
Walking and Looking
1988 -
Remarkable 3
2018 -
Remarkable 2
2018 -
Study for Pooling Ignorance
2015-16 -
WADE Maquette
2017 -
Be It On Our Heads
2017 -
WADE 2017
2017 -
Heavy Shadows 5
2013 -
Hard to Swallow
2012