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Medium: Tōtara or kauri, pine, steel
Dimensions: 940x200x30mm each
Date: 2021-2024
Notes:
The initial idea for 'Disrupt', Bennett's latest installation, came from Allen Curnow's verse tragedy, 'The Axe'. An analogy for the colonisation of New Zealand, Curnow located his narrative of destruction on the island of Mangaia in the Cook Islands. The axe is a metaphor for the disruptions brought about by the metal technology and religious ideas of Europeans who arrived in the Pacific. Now, there is another colonisation impact looming - that of AI, Artificial Intelligence, and the changes that will bring.
The consequences of treating nature as something to be colonised is highlighted. The axe heads are made of native kauri and tōtara, and the handles of imported pine. The perforations on the axes depict both Bennett's warning about the impact of human behaviour on the environment, and the clefts in Mangaian adze handles: horizontal, vertical and square cut-outs.
Further work by this artist
-
On the Brink
2024 -
Fracture 2 – Precipice #1-#5
2024 -
Fracture 2 – Precipice (detail of #1, #6)
2024 -
Fracture – Yakage Honjin, Japan
2024 -
Precipice
2024 -
Fracture Study #5
2024 -
Fracture Study #10
2024 -
Fracture Study #11
2024 -
Disrupt Sculpture Study #4
2024 -
Disrupt Sculpture Study #2
2024 -
Disrupt
2021-2024 -
Disrupt
2021, 2024 (black) -
Ukabu
2006 -
Study from Fracture
2024 -
Playing for Time
2024 -
Around Every Circle
2020 -
Study for Pooling Ignorance
2015-16 -
Remarkable 2
2018 -
Remarkable 3
2018 -
Hidden Depths
2009 -
Latitude 41º 12.2’S Longitude 173º 19.7’E
1989 -
Hard to Swallow
2012 -
Mimic
-
Connect
2021 -
Connect
2022 -
Study for Sculpture – Gauge
2009